Audie Bock presents a collection of perceptive, knowledgeable, and comprehensive critical essays on the most influential and distinctive filmmakers of Japan in Japanese Film Directors. Bock chronologically explores the personal influences and cinematic contributions of several acclaimed film directors, and in the process, provides an intelligent observation on the profound effects of changing political, social, […]
Tag: Japanese Cinema
Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary by Abé Mark Nornes
By examining the evolution of postwar Japanese documentaries – and in particular, the singular output of the Ogawa Pro film collective under the leadership of the charismatic, if autocratic and impractical filmmaker Ogawa Shinsuke – Abé Mark Nornes’s book, Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary aligns closer to a socio-ethnographic study of […]
Air Doll, 2009
During a poignant encounter in Hirokazu Kore-eda’s idiosyncratic, yet droll and resonant contemporary fable, Air Doll, a reclusive doll maker, Sonoda (Jô Odagiri) tells a troubled inflatable doll turned video store clerk, Nozomi (Du-na Bae) that the main difference between her and a human being is biodegradability. In a way, Sonoda’s simplified differentiation between burnable […]
Woman of the Mist, 1936
In the essay Woman of the Mist and Gosho and the 1930s from the book Reframing Japanese Cinema: Authorship, Genre, History, Arthur Nolletti examines the complex narrative and visual strategies employed by Heinosuke Gosho that culminate in what would become one of his most accomplished works. Perhaps the most indicative of this style is his […]
The Neighbor’s Wife and Mine, 1931
Heinosuke Gosho’s The Neighbor’s Wife and Mine is a breezy and effervescent slice-of-life comedy on a harried – and easily distracted – freelance writer (Atsushi Watanabe) whose deadline for a commission work to write a play for a theater company in Tokyo is quickly approaching. Scouting for a suitable retreat where he can complete his […]
A Man Vanishes, 1967
Converging towards Kobo Abe’s experimental fiction in its fragmented examination of the strange phenomenon of johatsu – the unexplained (and presumably self-initiated) disappearances of otherwise seemingly responsible and professional salarymen in metropolitan Tokyo – as a broader social symptom of the anonymization and erasure of identity inherent in urbanization and rigid cultural conformity (most notably, […]