The delicate, exquisitely constructed interiors of the late nineteenth century Shanghai brothels – the flower houses – create a serene, idyllic escape for its venerated patrons. Here, in the euphemistic propriety of privileged society, madams, called ‘aunts’, arrange sexual liaisons for their flower girls through appointed bookings. The Flowers of Shanghai opens to a shot […]
Tag: Taiwanese Cinema
Goodbye South Goodbye, 1996
Goodbye South Goodbye opens to the image of a dour and impassive entrepreneur and marginal gangster named Gao (Jack Gao), his volatile and image-conscious associate, Flathead (Giong Lim), and a lackadaisical, drug addicted occasional prostitute named Pretzel (Annie Shizuka Inoh) riding on a passenger train to an unspecified destination. Gao receives a telephone call, but […]
Good Men, Good Women, 1995
Good Men, Good Women opens with the enigmatic words, “When yesterday’s sadness is about to die. When tomorrow’s good cheer is marching towards us. Then people say, don’t cry. So why don’t we sing.” A static, monochromatic shot then focuses on a group of travelers laden with baggage, singing as they traverse the rural countryside […]
A Cty of Sadness, 1989
A City of Sadness chronicles the lives of the Lin family during the turbulent four years between the Japanese withdrawal from Taiwan (after 51 years of occupation) in 1945, to the secession of Taiwan from mainland China in 1949. The eldest brother, Wen-Heung (Chen Sown-yung), a robust man with crude manners, returns from the war […]
Dust in the Wind, 1986
The sublime opening sequence of Dust in the Wind follows a nearly imperceptible diffused white speck – perhaps the referential “dust” of the film’s evocative title – as it momentarily shifts location near the center of the frame then continues on its inexorable course, gradually converging to reveal a light at the end of a […]
The Time to Live and the Time to Die, 1985
The Time to Live and the Time to Die is prefaced by the gentle, soft-spoken voice of an off-camera narrator (presumably filmmaker Hou Hsiao Hsien) as he recounts the story of his family’s postwar migration from Mei County in the Kwangtung Province of mainland China in pursuit of career opportunities and the prospect of a […]