The Essential Mystery: The Major Filmmakers of Indian Art Cinema by John W. Hood

The Essential Mystery: Major Filmmakers of Indian Art Cinema is a thoughtful, appreciative, analytical, and comprehensive overview of the influential filmmakers that have defined, shaped, and elevated the status of Indian art cinema. By correlating the filmmakers’ personal experiences with the common themes and individual styles presented through their respective cinema, Hood illustrates the diversity, […]

Uttara, 2000

Ostensibly an allegorical, cautionary tale on religious fundamentalism, Uttara is also a bracing and incisive examination of the provincialism, anachronism, moral and social quandary, and inherent contradictions that continue to shape contemporary Indian culture. Composed of seemingly unrelated narrative threads – a pair of bored, train crossing signal operators, Nemal (Tapas Pal) and Balaram (Shankar […]

Shadow Kill, 2002

Exploring similar human rights issues as Nagisa Oshima’s Death By Hanging on the sociopolitical framework that lies beneath the inequitable administration of justice and capital punishment, Shadow Kill is told from the perspective, not of the condemned but of the reluctant executioner, an aging, guilt-ridden hangman named Kaliyappan. Set in colonial-era state of Travancore in […]

Reason, Debate and a Story, 1974

A frail, elderly villager seeking shelter from the burning sun inside a makeshift hut stares inexpressively into the camera as a trio of faceless, black-cladded apparitions perform a vibrant, ritualistic dance before him, perhaps in anticipation of the old man’s inevitable death. The dreamlike, surreal episode seemingly provides an allegorical – and intrinsically operatic – […]