Anticipating Nagisa Oshima’s Ceremony in its metaphoric representation of the dying of the samurai class through contaminated bloodlines, mystical connections, incestuous relationships, frailty, and impotence, Intentions of Murder bears the characteristic imprint of Shohei Imamura’s recurring preoccupations: the sensuality and resilience of women, the manifestation of individualism in a codified society, the idiosyncrasies and primitive […]
Tag: Japanese Cinema
Black Rain, 1989
On the morning of August 6, 1945, a young woman named Yasuko (Yoshiko Tanaka) catches a ride with a neighbor who is evacuating from Hiroshima in order to transport her family’s formal clothes and sentimental possessions to a friend’s home for safekeeping on a nearby island in FuruĂ©. At 8:15, during a tea ceremony, Yasuko […]
The Ballad of Narayama, 1982
The Ballad of Narayama opens to an aerial shot of a vast, frozen wilderness on a remote mountainous region in Northern Japan at an inexact date of a hundred years ago. Along the base of the mountain is an isolated, snow covered feudal village, where a family matriarch Orin (Sumiko Sakamoto) lives with her widowed […]
Vengeance Is Mine, 1979
On January 4, 1964, a convoy of patrol cars traverse a provincial countryside to escort captured criminal Iwao Enokizu (Ken Ogata) to the local police precinct for interrogation. Callous and unremorseful, Enokizu laments his inevitable fate as unfair, citing that his arresting officers will outlive him and continue the pursuit of hedonistic pleasure now denied […]
The Pornographers, 1966
A film crew hikes to the outskirts of town in order to surreptitiously shoot a pornographic film. Flouting the law, a pornographer named Ogata (Shoichi Ozawa) rationalizes his disreputable livelihood as a necessary commodity and public service for the continued well-being of society. The enterprising men screen their latest project, and the film opens with […]
The Insect Woman, 1963
The Insect Woman opens to the spare and indelible magnified shot of an ant crawling awkwardly, but persistently, through the rough terrain of its microcosmic environment. The image of the tenacious insect is then repeated through the shot of a harried, simple-minded man named Chuji (Kazuo Kitamura) as he trudges through the treacherous winter fields […]