A rousing Star Spangled Banner-themed overture accompanies the impressive sight of modern buildings lining the industrial landscape of a postwar Japanese port town in a seeming celebration of the scale of reconstruction achieved under American occupation. The idyllic image of progress through cooperative international unity would, however, be immediately subverted with a perspective shift to […]
Tag: Japanese Cinema
The Makioka Sisters, 1983
In the spring of 1938, the proud Makioka sisters, daughters of a prominent merchant family, have gathered in Kyoto for their customary annual viewing of cherry blossoms (hanami). The film opens to the serene and idyllic image of rainfall against the picturesque natural landscape, and is unexpectedly truncated by the spoken word okane (money) as […]
An Actor’s Revenge, 1963
As a punitive assignment for a string of commercially unsuccessful films, Kon Ichikawa was tasked with a re-adaptation of a mediocre serialized story entitled An Actor’s Revenge, and consequently turned the banal pulp melodrama into an dazzling, idiosyncratic spectacle. Originally adapted to film by Teinosuke Kinugasa (who himself had a career as an onnagata – […]
Kagi/Odd Obsession, 1959
An impassive medical intern named Kimura (Tatsuya Nakadai) speaks directly to the camera and describes a scientific theory on the systematic degradation of a man’s physical faculties – the start of his irreversible senility – from the age of ten, directing the attention of the audience to an middle-aged scholar on classical art objects named […]
Fires on the Plain, 1959
Fires on the Plain opens to a harsh and unexpectedly cruel act, as Tamura (Eiji Funakoshi) is struck in the face by his commanding officer for returning to his under-provisioned and demoralized regiment. Suffering from tuberculosis, Tamura had been sent to a field hospital in Leyte in order to avoid taxing their limited supplies. Tamura […]
Enjo/Conflagration, 1958
A quiet, asocial young man named Goichi Mizoguchi (Raizo Ichikawa) arrives at the idyllic Soenji Temple that houses the renowned Shukaku Pavilion with a letter of introduction from his late father, a humble, provincial monk and trusted friend of the Chief Priest, Tayama (Ganjiro Nakamura). Unmarried and without an heir to the temple, Tayama quickly […]