Chasing the Truth: The Films of Mrinal Sen by John W. Hood

In the book Chasing the Truth: The Films of Mrinal Sen, author John W. Hood provides an insightful examination of the sociopolitical and cultural conditions that have shaped filmmaker Mrinal Sen’s personal and creative ideology. Born into a middle-class Bengali family in Faridpur in 1923, Hood provides a contextual frame of reference to the independence […]

Saratan, 2005

Inviting favorable comparison to Serik Aprimov’s Glastnost-era muted comedy The Last Stop (a film that ushered the Kazakh new wave), Kyrgyzstan filmmaker Ernest Abdyshaparov spins his own charming, infectious, and delightful pastoral tale on the doldrums of rural life in post Soviet-era central Asian republics in Saratan. Introducing an eclectic cast of characters – a […]

The Corporation, 2003

Appropriately presented with the sterile impersonality of a canned, droning informational video business presentation, Mark Achbar and Jennifer Abbott’s The Corporation is a wry and acerbic sprawling meditation on the psychology of a corporation as a human entity (as defined by the judicial system with respect to legal rights and responsibilities). Citing examples of blatant […]

Everyone Else, 2009

The title of Maren Ade’s quietly observed film is subtly conveyed in passing, a desire expressed by uninhibited rock publicist, Gitti (Birgit Minichmayr) to her architect boyfriend, Chris (Lars Eidinger) that their relationship will not be reduced to the banal paradigm of being like “everyone else”. But romanticism soon collides with reality for the couple […]

Tomorrow We Move, 2003

In the film’s droll, double entendred opening sequence, a breathless woman, Catherine (Aurore Clément), speaks off camera in dulcet, anxious tone as she provides a series of guiding, seemingly appetent directions against the image of a grand piano craned precariously overhead, culminating with a stray tear that falls from her cheek at the point of […]