Marco Amenta’s potent, yet understated, tightly crafted first feature film, The Sicilian Girl is a fictionalized account loosely based on the life and journals of Rita Atria, the determined, 17 year old daughter of a slain mob boss whose death after her denunciation of the mafia would lead to her martyrdom as a symbol of […]
Tag: Italian Cinema
Red Desert, 1964
A beautiful and distracted woman named Giuliana (Monica Vitti) wanders aimlessly through the grimy perimeter streets outside a power generation plant amidst the intermittent chaos of a workers’ strike, accompanied by her young son Valerio (Valerio Bartoleschi). Observing one of the striking workers eating his lunch, she instinctually begins to feel hungry, approaches him, and […]
Il Grido, 1957
A rugged, inexpressive refinery mechanic, Aldo (Steve Cochran), hurries home after being summoned by his married lover, Irma (Alida Valli). Irma has been informed of her husband’s death in Australia, and Aldo welcomes the tragic news as a resolution to their seven-year affair. However, Aldo is stunned by Irma’s opposition to marriage, and her subsequent […]
Vincere, 2009
Less a biography on the early life of Fascist leader Benito Mussolini than a dissection into creating (and sustaining) a cult of personality, Marco Bellocchio’s Vincere is a textured, operatic, and incisive historical fiction based on the fate of Mussolini’s secret first wife, Ida Dalser (Giovanna Mezzogiorno) who, along with their son, Benito Albino, were […]
Good Morning, Night, 2003
Based on the real-life kidnapping of President Aldo Moro by members of a terrorist organization known as the Red Brigade in 1978, Good Morning, Night is a compelling, thoughtful, and understatedly powerful film that captures the turmoil and uncertainty caused by Moro’s (Roberto Herlitzka) brazen kidnapping and the subsequent 53 days of frustratingly stalled and […]
My Mother’s Smile, 2002
A young boy named Leonardo (Alberto Mondini) distractedly paces outside his home within view of his quizzical mother Irene (Jacqueline Lustig) as he seemingly conducts an impassioned conversation with himself. Distressed by the overwhelming concept of an omniscient God (an idea that he has recently learned during his religion study hour at school) from whom […]