Reframing Japanese Cinema provides a comprehensive and varied perspective on Japanese cinema through a series of essays on a director’s signature style (authorship), culturally representative film genres, and historical evolution of the Japanese film industry. Of the three sections on Authorship, Genre, and History, the articles on Authorship provide the most revealing insight into the […]
Tag: Shochiku
Woman of the Mist, 1936
In the essay Woman of the Mist and Gosho and the 1930s from the book Reframing Japanese Cinema: Authorship, Genre, History, Arthur Nolletti examines the complex narrative and visual strategies employed by Heinosuke Gosho that culminate in what would become one of his most accomplished works. Perhaps the most indicative of this style is his […]
The Neighbor’s Wife and Mine, 1931
Heinosuke Gosho’s The Neighbor’s Wife and Mine is a breezy and effervescent slice-of-life comedy on a harried – and easily distracted – freelance writer (Atsushi Watanabe) whose deadline for a commission work to write a play for a theater company in Tokyo is quickly approaching. Scouting for a suitable retreat where he can complete his […]
Army, 1944
Keisuke Kinoshita’s wartime film, Army is anything but the rousing call to arms and reinforcement of patriotism that the authorities had envisioned the film would be. Known for his Ofuna-flavored shomin-geki “women’s pictures”, Kinoshita subverts the official themes of duty, allegiance to the emperor, and national glory. Contrasting the emotional (and philosophical) rigidity of the […]
Every Night’s Dreams, 1933
Mikio Naruse’s elegantly distilled early silent film Every Night’s Dreams provides an archetype for the filmmaker’s recurring themes: pragmatic, determined women who tenaciously hold onto their failing relationships, weak men who lead a life of increasing dependence on the women they mistreat, life stations that grow baser as characters paradoxically strive to improve their situation. […]
The Lights of Asakusa, 1937
A well-crafted riff on Yasujiro Shimazu’s familiar shomin-geki films, this time transplanted to a group of Western opera stage actors working in the bustling theater and entertainment district of Asakusa in old downtown Tokyo, The Lights of Asakusa is a charming and elegantly realized ensemble slice-of-life serio-comedy. Centering on the acting troupe’s attempts to harbor […]