Resonating in a similar vein as the organically meditative – though less ethereal – cultural elegies of Aleksandr Sokurov (specifically, Elegy of a Voyage and Russian Ark or a stylistically flattened early Alain Resnais art documentary (most notably, Van Gogh and Guernica), A Trip to the Louvre seems on the surface to be devoid of […]
An early episode of a sacramental canticle recited by a monotonic, impassive chorus (in an oddly surreal scene that fuses home economics and religion) provides an integrally illuminating puzzle piece to Jean-Marie Straub and Danièle Huillet’s maddeningly opaque and fragmented, yet abstractly intriguing and curiously resonant film, Not Reconciled: How shall we redeem the world? […]
Inasmuch as Alain Resnais’s Hiroshima mon amour examines the impossibility of translation in articulating the weight of tragedy, Nobuhiro Suwa’s H story also aligns with Arnaud Desplechin’s Playing ‘In the Company of Men’ in illustrating the inherent limitations of adapting source material to convey the essential story. The ambiguity of language is foretold in the […]
On the 100th anniversary of the Dé family’s watch factory, the third generation owner and company president, Charles (François Simon), is awkwardly (and reluctantly) greeted with a venerated speech delivered by an obliging worker for the benefit of a rolling television camera. Overcome with a sudden bout of anxiety, Charles abruptly retreats for the nearest […]
During an oral dissertation that occurs near the denouement of L’Enfer, the youngest sister Anne (Marie Gillain) is randomly assigned the topic of Euripedes’ Greek tragedy Medea, a mythological character who, betrayed by her husband Jason, exacted revenge by killing their children. The allegory of Medea would prove to be an insightful framework into the […]
The Sacrifice is Andrei Tarkovsky’s final, visually intoxicating and profoundly spiritual masterpiece about the end of the world. The film’s initial image sets the tone for Tarkovsky’s deeply personal statement on humanity’s self-destruction. There is a close-up of a painting depicting an offering (to the haunting, threnodic oratorio of Johann Sebastian Bach). The camera then […]