Russian Critics on the Cinema of Glasnost, edited by Michael Brashinsky and Andrew Horton, is a book in two parts: the first, Films in a Shifting Landscape, is a series of essays analyzing the historical and cultural legacy that shaped three generations of Soviet film criticism; the second, Glasnost’s Top Ten, is a compilation of […]
Tag: Andrei Tarkovsky
Sonata for Hitler, 1989
Sonata for Hitler is a curious and indelible montage of dissociative images that intercut historical footage of wartime Germany and the Soviet Union: a somber Adolf Hitler habitually wringing his hands; blind or unfocused, distracted factory workers mechanically assembling military arsenal; fervored crowds erupting into spontaneous salute as an expression of national solidarity. Composed of […]
The Sacrifice, 1986
The Sacrifice is Andrei Tarkovsky’s final, visually intoxicating and profoundly spiritual masterpiece about the end of the world. The film’s initial image sets the tone for Tarkovsky’s deeply personal statement on humanity’s self-destruction. There is a close-up of a painting depicting an offering (to the haunting, threnodic oratorio of Johann Sebastian Bach). The camera then […]
Nostalghia, 1983
If the neorealist cinema of Vittorio de Sica and Federico Fellini explored the empirical essence of a man’s primordial soul, Andrei Tarkovsky’s Nostalghia is the poetic expression of the spiritual soul. Andrei Gortchakov (Oleg Yankovsky), a Russian author, is on an Italian research expedition with his beautiful translator, Eugenia (Domiziana Giordano) to retrace the journey […]
Solaris, 1972
Ground control has been receiving strange transmissions from the three remaining cosmonauts aboard the Solaris space station: Dr. Snouth (Yuri Yarvet), Dr. Sartorius (Anatoli Solonitsyn), and Dr. Gibarian (Sos Sarkisyan). The Solaris program is at a crossroads, and psychologist Dr. Kris Kelvin (Donatas Banionis) has been assigned to visit the crew, report on their mental […]
Mirror, 1975
Mirror is Andrei Tarkovsky’s visually transcendent, artistically revelatory autobiographical film on lost innocence and emotional abandonment. Presented as a languidly paced, achronological cinematic montage of modern day life, personal memories, historical news footage, and dreams, Mirror is an introspective journey through the course of human existence, hope and despair, success and frailty: a television broadcast […]