Inasmuch as Alain Resnais’s Hiroshima mon amour examines the impossibility of translation in articulating the weight of tragedy, Nobuhiro Suwa’s H story also aligns with Arnaud Desplechin’s Playing ‘In the Company of Men’ in illustrating the inherent limitations of adapting source material to convey the essential story. The ambiguity of language is foretold in the […]
