Eli, Eli, Lema Sabachthani?, 2005

Shinji Aoyama returns to the desolate geographical and spiritual landscapes of Eureka to create a thoughtful and idiosyncratic – if patently offbeat and unclassifiable – concoction of doomsday angst, picaresque humor, synthesized cacophony, natural communion, and even redemption in Eli, Eli, Lema Sabachthani?. The film’s allusive title, taken from the Aramaic transcription of Jesus’ ninth […]

Air Doll, 2009

During a poignant encounter in Hirokazu Kore-eda’s idiosyncratic, yet droll and resonant contemporary fable, Air Doll, a reclusive doll maker, Sonoda (Jô Odagiri) tells a troubled inflatable doll turned video store clerk, Nozomi (Du-na Bae) that the main difference between her and a human being is biodegradability. In a way, Sonoda’s simplified differentiation between burnable […]

Morphia, 2008

Adapted from Mikhail Bulgakov’s collection of autofictional stories, A Country Doctor’s Notebook, Aleksei Balabanov’s Morphia is an unvarnished portrait of rural Russia at the cusp of the Bolshevik Revolution. Told from the perspective of an idealistic young doctor, Polyakov (Leonid Bichevin), Morphia retains the humor and texturality of Bulgakov’s prose to underscore Polyakov’s difficult and […]

Few of Us, 1996

In an intriguing long take static shot of the oppressively barren Siberian frontier, a converted tank (turned off-road passenger utility vehicle) traverses a rugged terrain that seemingly bisects a rural, indigenous village, disappears in a spray of displaced mud as it sinks partially out of frame into a trench, then momentarily re-emerges to continue on […]