Shinji Aoyama returns to the desolate geographical and spiritual landscapes of Eureka to create a thoughtful and idiosyncratic – if patently offbeat and unclassifiable – concoction of doomsday angst, picaresque humor, synthesized cacophony, natural communion, and even redemption in Eli, Eli, Lema Sabachthani?. The film’s allusive title, taken from the Aramaic transcription of Jesus’ ninth […]