Theo Angelopoulos

The Last Modernist: The Films of Theo Angelopoulos, edited by Andrew Horton

Consisting of a series of critical essays and Andrew Horton’s interview on the distinctive imagery, cultural influences, and the filmmaker’s own personal, spiritual, and intellectual preoccupations, The Last Modernist: The Films of Theo Angelopoulos presents a diverse, insightful, and comprehensive examination into the dynamic framework that innately characterizes and forms the indefinable substance of Theo… read more »

The Films of Theo Angelopoulos: A Cinema of Contemplation by Andrew Horton

The Films of Theo Angelopoulos: A Cinema of Contemplation is a fascinating glimpse into the mind of an intelligent, compassionate, and devotedly Hellenic filmmaker. At the core of Angelopoulos’ films lies an emotional honesty and profound sorrow for the increasing dissolution of the Greek village – the neglected rural area that Andrew Horton calls the… read more »

The Suspended Step of the Stork, 1991

The first film of what would be loosely considered Theo Angelopoulos’ Trilogy of Borders, The Suspended Step of the Stork opens to the tumultuous and disconnected stationary long shot of a helicopter hovering over an indistinguishable, formless, dark mass floating lifelessly in an undulating open sea that has been encircled by a small fleet of… read more »

Days of ’36, 1972

Going back to Metaxas, the two parties [right-wing and center] had enthroned him despite his being a real fascist, following in the tracks of earlier previous dictators. He did not make any effort to dissimulate his positions, and he had no scruples declaring that under his guidance, Greece would never face the risk of another… read more »

Eternity and a Day, 1998

Alexandre (Bruno Ganz) has reluctantly dismissed his devoted housekeeper, Urania (Helene Gerasimidou), explaining that he is about to embark on a “long journey” from which he does not intend to return. It is a vague euphemism that allows him to say good-bye to his loved ones without the sentimentality of revelation. The reality is that… read more »

Landscape in the Mist, 1988

“In the beginning was the darkness. And then there was light…” Every evening, Voula (Tania Palaiologou) begins to tell her younger brother, Alexander (Michalis Zeke), the same bedtime tale – the story of creation – and is invariably interrupted by the approach of their distant mother as she momentary peers through the door to ensure… read more »

The Beekeeper, 1986

The Beekeeper opens to a static shot of an extended dinner table festively covered with a white tablecloth and ornamented with rose petals that is sitting empty at the center of the courtyard in the rain, as the sound of Spyros’ (Marcello Mastroianni) affectionate voice is heard recounting to his young daughter the natural selection… read more »

Voyage to Cythera, 1984

A pensive, middle-aged filmmaker named Alexander (Giulio Brogi, but whose voice was dubbed in Greek by Theo Angelopoulos) on a shooting break from the filming of a semi-autobiographical feature that explores the plight of returning political refugees during the general amnesty of the 1970s, encounters a gaunt, yet ennobled old man selling lavender at a… read more »

The Travelling Players, 1975

A weary, expressionless acting troupe arrives at a near empty train station in a rural Greek village. The itinerant actors have arrived into town to perform a popular, idyllic, pastoral play entitled Golpho The Shepherdess. The actors seem indistinguishable from each other, and only their literary names, derived from the Aeschylus Oresteia trilogy (Agamemnon, The… read more »

Reconstruction, 1970

An off-camera narrator (Theo Angelopoulos) provides the sobering demographics of an ancient village in northern Greece – a population that dwindled from 1,250 people based on a 1939 census to 85 in 1965 – as a passenger bus traverses the remote, mountainous region on an unpaved road and becomes stuck in a water-logged ditch, requiring… read more »