Insiang, 1976

To some extent, author and national hero José Rizal’s Spanish colonial-era novels Noli Me Tangere and El Filibusterismo paved the way for a certain propensity towards melodrama and tortuous, epic narratives that continue to shape and define the aesthetics of Philippine indigenous cinema. So, while there is the temptation to characterize Lino Brocka’s cinema through […]

Serbis, 2008

Set in the overcrowded, noise-polluted, bustling city of Angeles, the former location of the U.S. military-operated Clark Air Force Base, the characters in Brillante Mendoza’s kinetic and vertiginous Serbis are, in a sense, integrally connected to fortunes of the city’s postwar history as an entertainment district for the nearby air base. Once owning a chain […]

Independencia, 2009

The idea that history is written by the conquerors and not the vanquished shapes the consciousness of Raya Martin’s distilled and meticulously crafted film, Independencia, a highly formalized reconstruction (and reclamation) of a lost, unwritten history: one communicated in the language of an indigenous people but framed in the conventional, accepted syntax of “official” (and […]