A Christmas Tale, 2008

Returning to the recurring themes of parental alienation and surrogacy of La Vie des morts, Playing “In the Company of Men”, and Kings and Queen, A Christmas Tale is a quintessential Arnaud Desplechin film in its ingenious, heady collision of disparate, often contradictory, yet integrally interconnected forms. On one level is the intersection of savior […]

The Tenth District Court: Moments of Trial, 2004

Perhaps better known for his early career in photojournalism or his austere, yet sublime ethnographic portraitures of the Sahara desert in such docufiction films as Captive of the Desert and Un Homme sans l’occident, Raymond Depardon continues in a similar vein as his earlier exposition into the domestic justice system of Délits flagrants in The […]

White Material, 2009

A textured panorama of modern day Africa’s dynamic and volatile cross-cultural landscape, Claire Denis’s White Material is an abstract and elemental, if oddly sterile rumination on colonial legacy and socioeconomic stagnation. Unfolding in episodic flashbacks as second-generation coffee plantation owner, Maria Vial (Isabelle Huppert) scrambles to make her way back home after a forced evacuation […]

The Queen, 2006

The Queen transforms the morbid spectacle surrounding Diana’s tragic death in the summer of 1997 into a trenchant, elegant, and compelling exposition into the nefarious role of the media as both creator (and self-generator) of news and manipulator of public sentiment. By juxtaposing Diana’s death within the framework of Tony Blair’s recent election to the […]