Le Quattro volte, 2010

The idea of permeable boundaries between life and death, reality and fiction also captures the spirit of Michelangelo Frammartino’s distilled, yet richly textured fresco, Le Quattro Volte. Composed of four seasonal portraits that collectively present the cycle of life in the ancient village of Calabria, the film is something of a hybrid between Raymond Depardon’s […]

Go Go Tales, 2007

During the Q&A for Go Go Tales, native New Yorker Abel Ferrara indicated that although the film’s main setting, Ray Ruby’s Paradise Lounge looks like something straight out of the city’s seedier sections, the authentically gaudy look of the cabaret was actually inspired by an interchangeable array of fly-by-night strip clubs that used to operate […]

In the City of Sylvia, 2007

One of the most striking aspects of José Luis Guerín’s preceding film, En Construcción is the recurring image of cast shadows in motion as a metaphor for the “ghost residents” of El Chino – the migrant laborers, evicted tenants, and even unearthed ancient corpses whose traces of existence and personal histories are gradually being displaced […]

Our Daily Bread, 2006

Evoking the aesthetics of Harun Farocki’s antiseptic images of production crossed with Chantal Akerman’s structuralist ruminations on organic landscape, Nikolaus Geyrhalter’s Our Daily Bread is a bracing, surreal, sobering, and strangely transfixing exposition into the dehumanized technologies and industrially engendered process efficiencies intrinsic in the mass commerce of industrial-scale food production. Composed of a series […]

Regular Lovers, 2005

Regular Lovers is a quintessential Philippe Garrel film. Part self-exorcism of the failed idealism of the May 68 counter-culture revolution that inevitably burned out in a haze of recreational drug use, sexual liberation, and the inertia of bohemianism, and part elegy on love found in the wreckage of a heartbreaking aftermath that, too, becomes inevitably […]