Similar to Pierre Yameogo’s Me and My White Pal, Mahamat-Saleh Haroun’s crisp, lighthearted satire Sex, Gumbo and Salted Butter reflects on the challenges posed by dislocation, estrangement, and cultural assimilation. For old-fashioned family patriarch and Malian expatriate, Malik (Marius Yelolo), the belated culture shock of immigrating to Bordeaux comes when his attractive, much younger wife, […]
Tag: New York African Film Festival
Hotel of Dreams, 2005
As a poor, underprivileged Catholic boy growing up in Senegal, Jeannot fondly recalls his family’s trips to the idyllic, coastal village of Popenguine where, on the day of the Pentecost, Senegalese Christians would descend en masse to the village on an annual pilgrimage to the site where the miracle of a Virgin Mary sighting had […]
Keita, The Heritage of the Griot, 1995
One day, in the rural village of Wagadu, a slumbering griot (traditional tale-teller) named Djéliba is visited by the spirit of an ancient hunter and oracle as he recounts in his dreams the legend of a tribesman on the dawn of civilization who rose up and proclaimed himself king of Mandé with the neutral consent […]
La Blessure/The Wound, 2004
The Wound (La Blessure) opens to an unhurried, long take, static shot of a man lying near motionless on the mattress on the floor of a cramped, dingy apartment, seemingly waiting for something to happen. The ringing of a telephone breaks the visual monotony of the frame as a man named Papi (Adama Doumbia) crosses […]
NYAFF Short Films: Women of Zimbabwe
Spell My Name, 2005 In the opening sequence of Tawanda Gunda Mupengo’s Spell My Name, a self-assured schoolteacher from the city, newly arrived into the village school and appearing immediately out of place in the rural farming community in her sharply tailored dress, encounters an introverted girl under a tree who ignores her request for […]
Toi, Waguih, 2005
Composed of a series of informal conversations between screenwriter Namir Abdel Messeeh and his reticent, introspective father, Waguih, a reformed Communist and former political prisoner during the early years of the Egyptian Republic, Toi, Waguih evokes Chantal Akerman’s recurring theme of parental silence – a silence of personal history borne of unarticulated trauma (in the […]