[Archives from 10/97-3/11]In an interstitial episode the occurs halfway through Nicolas Klotz’s La Question humaine (Heartbeat Detector), a group of diners at a low rent café are racially profiled and rounded up by the police for a random check of identification papers, the first among them, Papi (Adama Doumbia), the African immigrant whose wife, Blandine (Noëlla Mossaba)… read more »
The Wound (La Blessure) opens to an unhurried, long take, static shot of a man lying near motionless on the mattress on the floor of a cramped, dingy apartment, seemingly waiting for something to happen. The ringing of a telephone breaks the visual monotony of the frame as a man named Papi (Adama Doumbia) crosses… read more »
Paria opens to a Felliniesque shot of a man suspended between earth and sky: in this case, a vagrant – perhaps under the influence – swinging from pipes along the walls of a subway station tunnel. But rather than a metaphor for the struggle between the body and the soul, the suspended state in Paria… read more »
