In an early sequence in Alberto Lattuada’s The Overcoat, the mayor (Giulio Stival) relishes the idea of history having to be rewritten as a result of an archaeologist’s discovery of ancient artifacts that had been unearthed during the groundbreaking of his commissioned, large-scale urbanization project. Designed to transform the landscape of the town’s main square […]
Tag: Italian Cinema
Crime Novel, 2005
It is nearly impossible to characterize Michele Placido’s sprawling, ambitious, and elliptical gangster film, Crime Novel without raising the specter of Francesco Rosi’s seminal cinema on the murky atmosphere of corruption, nebulous alliances, terrorism, and widespread violence that defined the sociopolitical landscape of 1970s Italy. However, while Rosi’s disorienting ellipticism served to illustrate the power […]
Three Brothers, 1981
Three Brothers opens to an oddly sterile medium shot of a building wall (made even colder and more impersonal by the black and white photography) as the amplified sound of a heartbeat discordantly accompanies an elegiac melody, before a jarring chromatic shift focuses the camera in extreme close-up at the center of a littered, derelict […]
Christ Stopped at Eboli, 1979
In 1935, a distinguished artist and intellectual turned escorted political prisoner from Turin named Carlo Levi (Gian Maria Volonté) arrives at the railroad terminal station at Eboli for further transportation – first by a series of public buses, then by a waiting automobile dispatched by the regional mayor Don Luigi (Paolo Bonacelli) – into the […]
Exquisite Corpses, 1976
Perhaps Francesco Rosi’s most pointed and incisive social examination of the widespread instability, scandal, injustice, and corruption of (then) contemporary postwar politics, Exquisite Corpses opens to the image of a somber, elderly judge named Varga (Charles Vanel) as he walks pensively through the catacombs of a church, observing in painstaking detail the recesses and contours […]
Voyage in Italy, 1953
Voyage in Italy opens to a shot of a reserved British couple, Alex (George Sanders) and Katherine Joyce (Ingrid Bergman) traveling in silence down a long, empty, narrow road on the Italian countryside. They are awaiting the sale of an inherited villa in Naples, and have decided to seize the occasion and spend undivided time […]