The Overcoat, 1952

In an early sequence in Alberto Lattuada’s The Overcoat, the mayor (Giulio Stival) relishes the idea of history having to be rewritten as a result of an archaeologist’s discovery of ancient artifacts that had been unearthed during the groundbreaking of his commissioned, large-scale urbanization project. Designed to transform the landscape of the town’s main square […]

Crime Novel, 2005

It is nearly impossible to characterize Michele Placido’s sprawling, ambitious, and elliptical gangster film, Crime Novel without raising the specter of Francesco Rosi’s seminal cinema on the murky atmosphere of corruption, nebulous alliances, terrorism, and widespread violence that defined the sociopolitical landscape of 1970s Italy. However, while Rosi’s disorienting ellipticism served to illustrate the power […]

Exquisite Corpses, 1976

Perhaps Francesco Rosi’s most pointed and incisive social examination of the widespread instability, scandal, injustice, and corruption of (then) contemporary postwar politics, Exquisite Corpses opens to the image of a somber, elderly judge named Varga (Charles Vanel) as he walks pensively through the catacombs of a church, observing in painstaking detail the recesses and contours […]