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Tag: Roberto Rossellini

Voyage in Italy, 1953

December 22, 2017 (December 29, 2017) acquarello

Voyage in Italy opens to a shot of a reserved British couple, Alex (George Sanders) and Katherine Joyce (Ingrid Bergman) traveling in silence down a long, empty, narrow road on the Italian countryside. They are awaiting the sale of an inherited villa in Naples, and have decided to seize the occasion and spend undivided time […]

Directors, National CinemaItalian Cinema, Roberto Rossellini

Europa 51, 1951

December 22, 2017 (December 29, 2017) acquarello

In an upscale district of Rome, a cosmopolitan American socialite named Irene Girard (Ingrid Bergman) hurries home with her pet in tow and is greeted by the concierge with the inconvenient news that the elevator is again out of service. It is a perfunctory irritation for the carefree and sophisticated expatriate whose pressing engagement is […]

Directors, National CinemaItalian Cinema, Roberto Rossellini

The Flowers of St. Francis, 1950

December 22, 2017 (December 29, 2017) acquarello

In the midst of a torrential rain, Brother Francis of Assisi (Brother Nazario Gerardi) in the province of Umbria and his disciples arrive at their outpost in the rural village of Rivo Torto to seek shelter from the inclement weather, only to be driven away by a trespassing peasant who, along with his donkey, have […]

Directors, National CinemaItalian Cinema, Roberto Rossellini

Germany, Year Zero, 1947

December 22, 2017 (December 29, 2017) acquarello

Amid the rubble of postwar Germany, a 12-year-old boy named Edmund (Edmund Moeschke) is hired to dig graves at a cemetery, then is chased away when he is unable to produce his work permit. It is Year Zero – the beginning of a divided Germany – and the country is faced with an uncertain future […]

Directors, National CinemaItalian Cinema, Roberto Rossellini

Rome: Open City, 1946

December 22, 2017 (December 29, 2017) acquarello

Shortly after the liberation of Italy in 1945, Roberto Rossellini took to the war ravaged streets of Rome and filmed a highly unsettling, yet profoundly affirming story of the struggle and defiance of ordinary people in the face of human adversity, and created the indelible image of Open City. Using narrative, documentary styled filmmaking that […]

Directors, National CinemaItalian Cinema, Roberto Rossellini

Tags

Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHarun FarockiHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu

Tags

Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHarun FarockiHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu
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