A lone automobile makes its way through the Italian countryside early one morning en route to the remote medieval castle of an eccentric aristocrat (Marcello Mastroianni) who for years has lived an insular existence under the delusion that he is the excommunicated Holy Roman Emperor, Henry IV. Twenty years earlier, an emotionally fragile young “Henry” […]
Tag: Italian Cinema
Fists in the Pocket, 1965
An off-screen male voice reads an anonymous note, meticulously assembled from clipped newsprint letters and addressed to a woman named Lucia (Jeannie MacNeil), bearing the scandalous information of a long-term affair between her fiancĂ© Augusto (Marino MasĂ©) and the note’s author in a possessive and desperate attempt to drive the unsuspecting young woman away. It […]
Private, 2004
The premise of a creating a film based on true events – particularly one for a deeply polarizing issue – can sometimes be a conveniently coded minefield for agitprop filmmaking, so it is particularly refreshing to see that Saverio Costanzo’s Private manages to strike a bracing, yet thoughtful and delicate balance between sympathy and outrage […]
The Garden of the Finzi-Continis, 1970
The Garden of the Finzi-Continis opens with a series of striking images of nature: colorful leaves, towering trees, sunshine peering through the foliage. But these are the most unnatural of times. A momentary preface reveals the looming tragedy of this picturesque Italian village: the implementation of Mussollini’s racial laws between 1938 and 1943. Beyond the […]
Umberto D., 1952
Umberto Domenico Ferrari (Carlo Battisti) is a proud, retired civil servant struggling to eke out a meager existence on his government pension. The film opens one morning to a group of pensioners, including the frail Umberto, taking their case for equitable compensation to the streets of Rome, only for their demonstration to be quashed by […]
Bicycle Thieves, 1948
A crowd forms in front of a government employment agency, as it does every day, waiting – often in vain – for job announcements. Antonio Ricci (Lamberto Maggiorani), one of the unemployed laborers who participates in this daily ritual, is selected to hang posters in the city, a job requiring a bicycle, which he has […]