A lone automobile makes its way through the Italian countryside early one morning en route to the remote medieval castle of an eccentric aristocrat (Marcello Mastroianni) who for years has lived an insular existence under the delusion that he is the excommunicated Holy Roman Emperor, Henry IV. Twenty years earlier, an emotionally fragile young “Henry” […]
Category: National Cinema
Fists in the Pocket, 1965
An off-screen male voice reads an anonymous note, meticulously assembled from clipped newsprint letters and addressed to a woman named Lucia (Jeannie MacNeil), bearing the scandalous information of a long-term affair between her fiancé Augusto (Marino Masé) and the note’s author in a possessive and desperate attempt to drive the unsuspecting young woman away. It […]
I, The Worst of All, 1990
In seventeenth century Mexico, a conservative archbishop (Lautaro Murúa) and a politically influential viceroy (Héctor Alterio) share a polite toast to celebrate their respective appointments to the remote colony, away from the turmoil of the Inquisition in their homeland. The viceroy is eager meet an infamous cloistered nun at a local convent named Sor Juana […]
Ankur, 1974
Ankur opens to a surreal shot of a modern day feudal village in rural India, as an attractive young peasant woman named Lakshmi (Shabana Azmi) participates in a ritual pilgrimage to the shrine of the mother goddess bearing offerings for the tribal ceremony in the hopes that the goddess will answer her prayers to have […]
Saraband, 2004
Revisiting the irreparably splintered middle-aged couple Marianne (Liv Ullman) and Johan (Erland Josephson) of Scenes from a Marriage as they reunite 30 years later, Saraband represents a continuation as well as a culmination of Ingmar Bergman’s spare, late period films, most notably in the purgative confessions and emotionally resigned acceptance of Autumn Sonata. Opening with […]
From the Life of Marionettes, 1980
In a garishly decorated basement room of a tawdry, erotic cabaret, amidst the ambient pulsating, rhythmic drone of risqué music, an impassive prostitute nicknamed Ka (Rita Russek) embraces a solemn and diffident client, Peter Egermann (Robert Atzorn), caressing his face through the motions of sleep. The seemingly tender moment soon inexplicably turns to aggression when […]