Garrincha, Joy of the People, 1962

Something like a kindred spirit to Hiroshi Teshigahara’s José Torres in its mundane observations of the dedicated craft and everyday rituals of a champion sportsman, Garrincha, Joy of the People is an affectionately rendered and thoughtful, if somewhat idealized portrait of Manoel Francisco dos Santos, affectionately called “Garrincha”, the Brazilian football star considered to be […]

A Poet of the Castle, 1951

A companion piece to Joaquim Pedro de Andrade’s short film, The Master of Apipucos, The Poet of the Castle is a reverent portrait of beloved Brazilian modernist poet – and de Andrade’s godfather – Manuel Bandeira. Plagued by delicate health throughout his lifetime stemming from a childhood bout of tuberculosis, Bandeira’s daily ritual intrinsically reflects […]

Eli, Eli, Lema Sabachthani?, 2005

Shinji Aoyama returns to the desolate geographical and spiritual landscapes of Eureka to create a thoughtful and idiosyncratic – if patently offbeat and unclassifiable – concoction of doomsday angst, picaresque humor, synthesized cacophony, natural communion, and even redemption in Eli, Eli, Lema Sabachthani?. The film’s allusive title, taken from the Aramaic transcription of Jesus’ ninth […]

Tirante el Blanco (The Maidens’ Conspiracy), 2006

Based on the popular, baroque, fifteenth century chevalier story Tirante el Blanco, the seminal Catalan novel that Miguel de Cervantes Saavedra cites as a profound influence on the realization of Don Quixote de La Mancha, Vicente Aranda’s The Maidens’ Conspiracy is a lavish, risqué, and skillfully composed, but superficial and unsatisfying medieval adventure that combines […]

Clean, 2004

Olivier Assayas’ latest film, Clean, is a sincere, well-intentioned, and technically proficient, but uncharacteristically trite and formulaic portrait of a drug-addicted, washed up celebrity and recent widow named Emily Wang (Maggie Cheung) who, having lost custody of her son Jay (James Dennis) to her Canadian in-laws, Albrecht (Nick Nolte) and Rosemary Hauser (Martha Henry) while […]