The coronation of Queen Beatrix on the eve of May Day in 1980 provides a salient point of departure for Johan van der Keuken’s The Way South, a cultural interrogation into the intertwined sociopolitical landscape of immigration, dislocation, underprivilege, and class division. Continuing on the prevailing theme of economic disparity between the continental north and […]
A muted, yet provocative composition on the changing face of the labor movement – or more appropriately, its immobility – in Western Europe in the 1970s, Johan van der Keuken’s Springtime: Three Portraits articulates the struggle of the working class under the protracted climate of an austere, stagnant global economy (stemming in part from the […]
A gaunt, weary priest named Father Joseph Suryn (Mieczyslaw Voit) arrives at a quaint village inn to rest for the evening, eating his scant portion of bread alongside a bawdy, drunken patron named Wolodkowicz (Zygmunt Zintel) who is quick to ridicule his asceticism. The voluptuous barmaid, Adwosia (Maria Chwalibóg), goaded by Wolodkowicz into foretelling the […]
Night Train opens to the eerie sound of a soulful and atmospheric vocal melody against an acute overhead shot of a busy train station. On an overnight train bound for a seaside resort, an agitated man named Jerzy (Leon Niemczyk), oddly obscured behind a pair of sunglasses, approaches the conductor (Helena Dàbrowska) to explain that […]
While shadows and empty spaces pervade Naomi Kawase’s search for her absent father in Embracing, the images in Katatsumori are tactile and suffused in light – a stark contrast that conveys Kawase’s deep affection towards her 80 year old maternal great aunt and adoptive mother, Uno. In hindsight, the implied coldness of the film’s preface […]
Naomi Kawase’s Embracing is both an evocation of, and disjunction from, Jonas Mekas’s diaristic memory films, a journey in search of a lost past through the empty spaces and resigned silence of an unreconciled – and incomplete – present. This sense of absence and longing is revealed in the film’s opening sequence: the sight of […]