While shadows and empty spaces pervade Naomi Kawase’s search for her absent father in Embracing, the images in Katatsumori are tactile and suffused in light – a stark contrast that conveys Kawase’s deep affection towards her 80 year old maternal great aunt and adoptive mother, Uno. In hindsight, the implied coldness of the film’s preface […]
Tag: Naomi Kawase
Embracing, 1992
Naomi Kawase’s Embracing is both an evocation of, and disjunction from, Jonas Mekas’s diaristic memory films, a journey in search of a lost past through the empty spaces and resigned silence of an unreconciled – and incomplete – present. This sense of absence and longing is revealed in the film’s opening sequence: the sight of […]