Experimental filmmaker Peter Kubelka reinforces the idea that film is a tactile artistic medium that, like all forms of art, not only requires hands-on, physical construction and manipulation by the artist, but also serves as a tangible archive (or archaeological artifact) for communicating and articulating a constantly evolving cultural legacy within a specific timeframe of […]
Each morning, a fastidious and unassuming copy shop owner named Alfred Kager (Johannes Silberschneider) wakes up in his empty apartment and begins to silently perform the empty, familiar rituals of his mundane existence: a brisk facial wash, a cursory survey of pedestrians in the street, a fleeting glimpse of the pretty flower girl (Elisabeth Ebner-Haid) […]
Film is empirically defined as 24 frames per second. However, if the functional variables were to be transposed such that each frame instead represented 24 seconds of a fixed space (defined by the bounds of the frame) – the shift in perspective would capture a behaviorally dissimilar relational interval – a spatial “snapshot” that illustrates […]