During the Q&A for the film, actor Philip Seymour Hoffman commented that the inspiration behind his remarkable transformation into the character of novelist Truman Capote came from the idea of someone who needed the other person much more than the other needed him, but concealed this lopsided dependence in such a manner that the other […]
Tag: NYFF
Serbis, 2008
Set in the overcrowded, noise-polluted, bustling city of Angeles, the former location of the U.S. military-operated Clark Air Force Base, the characters in Brillante Mendoza’s kinetic and vertiginous Serbis are, in a sense, integrally connected to fortunes of the city’s postwar history as an entertainment district for the nearby air base. Once owning a chain […]
Independencia, 2009
The idea that history is written by the conquerors and not the vanquished shapes the consciousness of Raya Martin’s distilled and meticulously crafted film, Independencia, a highly formalized reconstruction (and reclamation) of a lost, unwritten history: one communicated in the language of an indigenous people but framed in the conventional, accepted syntax of “official” (and […]
The Headless Woman, 2008
In retrospect, the swooning, haunted enigma of Lucrecia Martel’s The Headless Woman is revealed in the metaphoric image of a landscaper digging around in frustration along the perimeter of a garden bed, trying to make room for ornamental trees that the owner, Verónica (María Onetto) had purchased during a recent trip to the nursery. The […]
The Holy Girl, 2004
In the film’s understatedly realized catalytic encounter, an adolescent named Amalia (Maria Alché) stands in front of a musical instrument shop window in order to watch a musician perform on a theremin, as an inscrutable physician named Dr. Jeno (Carlos Belloso), visiting from out of town for a medical convention, casually places his hands in […]
Young Adam, 2003
A barge laborer named Joe (Ewan McGregor) discovers the body of a partially nude woman floating face down in the river and, together with his employer Les (Peter Mullan), retrieve her corpse from the water. Soon, traces of Joe’s seeming over-curiosity with the dead body begin to surface as he gently caresses the body in […]




