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Lisandro Alonso

Liverpool, 2008

With its rockabilly-infused title sequence coda that segues to medium shots of industrial interiors and, later in the film, a desolate winter landscape (not to mention a running motif of Farrel [Juan Fern├índez] taking occasional swigs from a vodka bottle that he has stashed in his duffel bag), Lisandro Alonso’s Liverpool, on the surface, suggests… read more »

Los Muertos, 2004

Los Muertos opens to the visually atmospheric and strangely surreal image of an unpopulated tropical forest, tracking sinuously (and disorientingly) through the lush wilderness, momentary revealing the dead bodies of two young people splayed amid the obscuring brush, before returning to the idyllic shots of foliage that becomes unfocused and diffused, imbuing the image with… read more »

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