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Tag: Guillermo del Toro

Pan’s Labyrinth, 2006

December 22, 2017 (December 30, 2017) acquarello

During the Q&A for Pan’s Labyrinth, Guillermo del Toro commented that he conceived the image of Pale Man, a child-eating creature who could only see by raising his hands up to his face (as if paradoxically covering his eyes), as an allusion to the perverted image of stigmata – an affliction often associated with enlightened […]

Directors, Film Festivals and RetrospectivesGuillermo del Toro, Mexican Cinema, NYFF

Tags

Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHarun FarockiHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu

Tags

Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHarun FarockiHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu
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