In Sandrine Veysset’s Victor… Before It’s Too Late, social observation and whimsicality oddly – but seamlessly – converge into a bracing exploration of family, connection, and healing. From the opening sequence of an anxious Victor (Jérémy Chaix) staring out at mobile airplanes with both wistfulness and fear that segues into a shot of him running […]
Rocco and His Brothers chronicles the life of the Parondi family from the perspective of the five brothers as they seek a better life in the industrial city of Milan: Vincenzo (Spiros Focas), Simone (Renato Salvatoi), Rocco (Alain Delon), Ciro (Max Cartier), and Luca (Rocco Vidolazzi). Rosaria Parondi (Katina Paxinou), a proud, possessive widow, has […]
On the idyllic Sicilian fishing village of Acitrezza, generations of the Valestro family have upheld the traditional vocation and simple existence of their ancestors, despite economic hardship and personal tragedy. The men (and even boys) earn their subsistence as hired fishermen for wealthy, opportunistic wholesale merchants who collude with rival merchants to depreciate the market […]
For the impoverished villagers of Prasanna Vithanage’s Death on a Full Moon Day, the civil war is an abstraction, a distant reality removed from the struggles of everyday life. The idea of war as self-reinforcing, interwoven ritual is prefigured in the opening sound of a Buddhist chant (alluding to the solemn observance of the full […]
A transplantation of Leo Tolstoy’s turn of the century novel, Resurrection from Tsarist Russia to modern day Sri Lanka, Prasanna Vithanage’s Dark Night of the Soul also finds kinship with Shyam Benegal’s Ankur and Carl Theodor Dreyer’s The President in its potent examination of class division, spiritual desolation, and moral anxiety. Alternating between past and […]
Part coming of age story set in the aftermath of the Warsaw Uprising, and part personal testament by lead actress Krystyna Janda on her husband, Edward Klosinski’s battle with cancer during filming, Andrzej Wajda’s poignant, if disarticulated Sweet Rush, on the surface, suggests kinship with the metacinema of Abbas Kiarostami in exploring the interpenetration between […]