Hiroshi Teshigahara crafts a spare and haunting allegory for human existence in Woman in the Dunes. An entomologist (Eija Okada) on holiday from Tokyo has come to a remote desert in order to study and collect specimens from the local insect population. As he momentarily rests on the sand dunes, he ponders a fundamental existential […]
The Pitfall, 1962
Under the cover of darkness, a visibly harried miner (Hisashi Igawa) and his young, impassive son (Kazuo Miyahara), accompanied by another desperate co-worker, desert their employers at an unidentified mining village in order to strike out on their own as migrant hired laborers away from the inhumane working conditions of (and overreaching control exercised by) […]
Noura’s Summer, 2005
Continuing in the muted, expositional vein of Amal on the marginalization of women, Pascal Tessaud’s Noura’s Summer is an examination of the outmoded, often conflicting traditions that perpetuate a generational culture clash between old world tradition and new world modernity, an ingrained culture that continues to perceive women, not as independent people, but as properties […]
Change of Plans, 2009
From the opening images of Change of Plans, Danièle Thompson illustrates the intersection between personal and public spaces, initially, in the title sequence shot of a flamenco class in which a distracted, rhythm-challenged attorney, Marie-Laurence (Karin Viard) tries to keep up with – and out of the way of – other people, and subsequently, a […]
Novel City, 2008 / Horizontal Boundaries, 2008
Novel City, 2008 (Leslie Thornton) While Leslie Thornton’s 1983 film Adynata posed questions of exoticism and alterity in its cultural examination of China, Novel City represents a different, yet equally jarring notion of otherness – one borne of China’s rapid industrialization, economic transformation, and cultural amnesia at the turn of the century. Interweaving excerpts from […]
There Was an Unseen Cloud Moving, 1988
When avant-garde filmmaker Leslie Thornton created There Was an Unseen Cloud Moving, Islamic culture was not yet defined by antiseptic, then turbulent images of unresolved Gulf Wars (or conveniently stigmatized as the face of terrorism) but rather, by the evocation of alien landscapes, life-altering adventures, mysticism, isolative awakening, and passionate rendezvous of films such as […]





