Patrick Bokanowski: Short Films (1972-1994)

My first exposure to French filmmaker Patrick Bokanowski’s experimental cinema was with his transfixing, yet vague and impenetrable magnum opus L’Ange, a Dante Alighieri-esque depiction of intranscendence and moribund ritual that would ingrain the (somewhat reductive) idea that his films were abstract visual studies in structuralism, modulation, and repetition. In hindsight, underneath this cursory first […]

The Little White Girl Had to Bow Her Head for Emperor Hirohito, 2003

Based on author, choreographer, activist, and filmmaker Lydia Chagoll’s autobiography A Childhood in the Japanese Camps and historical essay Hirohito: Emperor of Japan, The Little White Girl Had to Bow Her Head for Emperor Hirohito is a lucid and impassioned examination of the postwar geopolitics that have led to the cultural amnesia and historical whitewashing […]

Welcome to Destination China, 2003

Creating another slice-of-life pseudo-documentary chronicle of marginalized people living in impoverished slums along the banks of the Suzhou River (and in the process, deconstructs the romantic vision of Ye Lou’s ephemeral Suzhou River), Welcome to Destination China loosely centers on a madam called Jennifer and the desperate people whose meager livelihood rests on her disreputable […]

Shanghai Panic, 2001

Based on a banned novel by underground writer Mian Mian entitled Welcome to Panic, Andrew Cheng’s socially relevant, but technically uneven digital video pseudo-documentary follows a close-knit group of rootless, young adults (apparently played by Mian Mian and her circle of friends) in the urban jungle of Shanghai as a male friend – perhaps struggling […]