My first exposure to French filmmaker Patrick Bokanowski’s experimental cinema was with his transfixing, yet vague and impenetrable magnum opus L’Ange, a Dante Alighieri-esque depiction of intranscendence and moribund ritual that would ingrain the (somewhat reductive) idea that his films were abstract visual studies in structuralism, modulation, and repetition. In hindsight, underneath this cursory first […]
Category: Independent Filmmaking
The Little White Girl Had to Bow Her Head for Emperor Hirohito, 2003
Based on author, choreographer, activist, and filmmaker Lydia Chagoll’s autobiography A Childhood in the Japanese Camps and historical essay Hirohito: Emperor of Japan, The Little White Girl Had to Bow Her Head for Emperor Hirohito is a lucid and impassioned examination of the postwar geopolitics that have led to the cultural amnesia and historical whitewashing […]
Fargo, 1996
Joel and Ethan Coen’s Fargo is a refreshingly original and complexly taut film that operates on a multifaceted level that is, all at once: compelling, macabre, funny, tragic, and even romantic. From the opening sequence of a car navigating agilely through an endless snow covered road with a car in tow, the Coen brothers deftly […]
Welcome to Destination China, 2003
Creating another slice-of-life pseudo-documentary chronicle of marginalized people living in impoverished slums along the banks of the Suzhou River (and in the process, deconstructs the romantic vision of Ye Lou’s ephemeral Suzhou River), Welcome to Destination China loosely centers on a madam called Jennifer and the desperate people whose meager livelihood rests on her disreputable […]
Shanghai Panic, 2001
Based on a banned novel by underground writer Mian Mian entitled Welcome to Panic, Andrew Cheng’s socially relevant, but technically uneven digital video pseudo-documentary follows a close-knit group of rootless, young adults (apparently played by Mian Mian and her circle of friends) in the urban jungle of Shanghai as a male friend – perhaps struggling […]
Durian Durian, 2000
A sweet little girl from the the city of Shenzhen in mainland China named Fan (Mak Wai-fan) recounts with innocent reflection her father’s early dawn ritual of dressing in complete darkness, preparing his meal, and rolling his portable cart to the train station, as he makes his exhausting daily commute to Hong Kong to buy […]