From the Branches Drops the Withered Blossom, 1960

The title of Paul Meyer’s compassionate, sincere, and deeply personal feature film on immigrant labor, cultural assimilation, and exile, From the Branches Drops the Withered Blossom, is a line from a poem by Salvatore Quasimodo pondering the inevitability of change. Initially commissioned by the Ministry of Education to promote the integration of immigrant children into […]

Gambling, Gods and LSD, 2002

Peter Mettler’s rigorous and organic meditative essay is (perhaps intentionally) a mind numbing ethnographic collage of people, places, ideas, and discoveries that collective encompass humanity’s innate desire for escapism, commutation, euphoria, and existential transcendence. Originating locally from Mettler’s sad and implicitly tragic reunion with a childhood friend who has led most of his inutile adult […]

Toi, Waguih, 2005

Composed of a series of informal conversations between screenwriter Namir Abdel Messeeh and his reticent, introspective father, Waguih, a reformed Communist and former political prisoner during the early years of the Egyptian Republic, Toi, Waguih evokes Chantal Akerman’s recurring theme of parental silence – a silence of personal history borne of unarticulated trauma (in the […]

Serbis, 2008

Set in the overcrowded, noise-polluted, bustling city of Angeles, the former location of the U.S. military-operated Clark Air Force Base, the characters in Brillante Mendoza’s kinetic and vertiginous Serbis are, in a sense, integrally connected to fortunes of the city’s postwar history as an entertainment district for the nearby air base. Once owning a chain […]