On an unassuming afternoon in September 1989, Dr. Rajani Thiranagama, a 35 year-old physician, medical university professor, and human rights activist, was riding home on her bicycle after having finished grading the final examinations from her Anatomy class when she was gunned down on an anonymous street in her native city of Jaffna by unknown […]
Category: Film Festivals and Retrospectives
Army, 1944
Keisuke Kinoshita’s wartime film, Army is anything but the rousing call to arms and reinforcement of patriotism that the authorities had envisioned the film would be. Known for his Ofuna-flavored shomin-geki “women’s pictures”, Kinoshita subverts the official themes of duty, allegiance to the emperor, and national glory. Contrasting the emotional (and philosophical) rigidity of the […]
Ten, 2002
Ten is a captivating, humorous, and understated film by Abbas Kiarostami that follows a series of (ten) conversations by a divorced middle-class woman as she engages a series of passengers in a dialogue while navigating the streets of Tehran: her precocious son who feels suffocated by his parents’ competition for his allegiance and affection; her […]
Project Kashmir, 2008
The specter of the Partition of Bengal in 1947 continues to haunt the modern day consciousness of a divided Kashmir in Senain Kheshgi and Geeta Patel’s provocative and acutely observed Project Kashmir. Propelled by the idea of capturing the Kashmir conflict from a Hindu and Muslim perspective, Southeast Asian-American friends Kheshgi and Patel attempt to […]
Keane, 2004
The film opens with a disorienting, vérité-like shot of desperate urgency as William Keane (Damian Lewis) walks up to a ticketing booth and insists on speaking with a specific agent before shoving a frayed, newspaper clipping into the narrow glass opening as the agent steps forward and asking him if remembers the girl in the […]
I Am, 2005
Dorota Kedzierzawska continues to demonstrate her strength in directing young actors (particularly evident in the performance of the lead actor, Piotr Jagielski) that she had earlier illustrated in The Crows with her latest film I Am. Recalling Ken Loach’s Kes or Hirokazu Kore-eda’s Nobody Knows in its modern day, pseudo-Dickensian tale of instinctual survival shot […]




