Madeinusa, 2006

On the surface, Peruvian filmmaker Claudia Llosa’s gorgeous, provocative, and idiosyncratically rendered dark fable Madeinusa seems to have little in common with Argentinean filmmaker Lucrecia Martel’s The Holy Girl beyond an artful eye towards creating a similarly foreboding atmosphere with which to present a dysfunctional, contemporary coming of age tale. While Martel uses loosely interwoven […]

Goodbye Again, 1961

There are people who, out of self-image, insecurity, or naive delusion that they can change another person, find themselves in doomed relationships. In Anatole Litvak’s Goodbye Again, Paula (the intoxicating Ingrid Bergman), a successful, middle-aged interior decorator, has been trapped in a dead-end relationship with Roger (Yves Montand), a philandering, transportation businessman. Commissioned to redecorate […]

Views from the Avant-Garde: Saul Levine

Note to Pati, 1969 Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes and Sketches chronicles) and the hand crafted dissonance and material violence of Stan Brakhage, Note to Pati presents a seemingly typical winter scene – the day after a snow storm […]