Gbanga-Tita, 1994/Anton Webern, 1991/Wild Blue: Notes for Several Voices, 2000

Gbanga-Tita, 1994 Defined by Thierry Knauff as a purely cinematic “moment of grace” (during his introductory remarks on the films being presented), Gbanga-Tita was initially shot as footage for his ethnographic film on the Baka pygmy of the Equatorial forest in South-East Cameroon, Baka. The film consists of a single unbroken close-up shot of LengĂ©, […]