The Ballad of Narayama opens to an aerial shot of a vast, frozen wilderness on a remote mountainous region in Northern Japan at an inexact date of a hundred years ago. Along the base of the mountain is an isolated, snow covered feudal village, where a family matriarch Orin (Sumiko Sakamoto) lives with her widowed […]
Tag: Shohei Imamura
Vengeance Is Mine, 1979
On January 4, 1964, a convoy of patrol cars traverse a provincial countryside to escort captured criminal Iwao Enokizu (Ken Ogata) to the local police precinct for interrogation. Callous and unremorseful, Enokizu laments his inevitable fate as unfair, citing that his arresting officers will outlive him and continue the pursuit of hedonistic pleasure now denied […]
The Pornographers, 1966
A film crew hikes to the outskirts of town in order to surreptitiously shoot a pornographic film. Flouting the law, a pornographer named Ogata (Shoichi Ozawa) rationalizes his disreputable livelihood as a necessary commodity and public service for the continued well-being of society. The enterprising men screen their latest project, and the film opens with […]
The Insect Woman, 1963
The Insect Woman opens to the spare and indelible magnified shot of an ant crawling awkwardly, but persistently, through the rough terrain of its microcosmic environment. The image of the tenacious insect is then repeated through the shot of a harried, simple-minded man named Chuji (Kazuo Kitamura) as he trudges through the treacherous winter fields […]
Pigs and Battleships, 1961
A rousing Star Spangled Banner-themed overture accompanies the impressive sight of modern buildings lining the industrial landscape of a postwar Japanese port town in a seeming celebration of the scale of reconstruction achieved under American occupation. The idyllic image of progress through cooperative international unity would, however, be immediately subverted with a perspective shift to […]