Originally produced by Humbert Balsan before his death in 2005, Mia Hansen-Løve’s All Is Forgiven (Tout est pardonné) recalls the muted, slow brewing, slice of life implosions of Stefan Krohmer’s Summer 04 and Valeska Grisebach’s Longing, as well as the naturalistic, organic narrative and chance intersections of Barbara Albert’s cinema to create a raw and […]
