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Tag: Mercedes Álvarez

El Cielo gira, 2004

December 25, 2017 (January 7, 2018) acquarello

Part elegy on the dying of a rural village, part exposition on mortality and obsolescence, and part exaltation of quotidian grace, Mercedes Álvarez’s El Cielo gira (The Turning Sky) is a serene, contemplative, and indelible rumination on the permanence of landscape, the transitory nature of existence, the imprint of history, and the eternal cycle of […]

DirectorsEssay Film, Mercedes Álvarez, Spanish Cinema

Tags

Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHarun FarockiHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu

Tags

Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHarun FarockiHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu
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