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Strictly Film School[Archives from 10/97-3/11]

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Tag: Lee Chang-dong

Poetry, 2010

December 23, 2017 (December 28, 2017) acquarello

While Lee Chang-dong’s Poetry has invited comparison to Bong Joon-ho’s Mother in its tale of morality, filial devotion, and culpability in the absence of memory, its theme of capturing the ephemeral beauty in the quotidian and transforming it into something eternal suggests a closer association with Hirokazu Kore-eda’s After Life. And like After Life, the […]

Directors, Film Festivals and RetrospectivesLee Chang-dong, NYFF

Oasis, 2002

December 23, 2017 (December 28, 2017) acquarello

A flighty, aimless man named Jong-du (Sol Kyung-gu), insufficiently dressed in a summer shirt on a brisk winter day, arrives at a major city thoroughfare to wait for a bus, biding his time by cursorily scanning through a rack of inexpensive sweaters peddled on the sidewalk. Arriving at his intended destination, a multi-level urban residential […]

Directors, National CinemaKorean Cinema, Lee Chang-dong

Peppermint Candy, 2000

December 23, 2017 (December 28, 2017) acquarello

In the spring of 1999, a distraught and incoherent middle-aged man, Kim Yong-ho (Sol Kyung-gu), dressed in a tailored business suit, lies along the side of a railroad bridge that overlooks an open field by a lake. Nearby, a loose knit group of friends called the Bong-woo Club, formed 20 years earlier at the same […]

Directors, National CinemaKorean Cinema, Lee Chang-dong

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Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHarun FarockiHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu

Tags

Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHarun FarockiHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu
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