Histoire d’eaux (Bernardo Bertolucci) A whimsical, cross-cultural melding of east meets west romantic comedy presented in highly fractured (if unremarkable) ellipses that chronicle the couple’s chance encounter, marriage, extramarital temptation, and bizarre separation. About Time 2 (Mike Figgis) Multichannel split screening in the vein of Timecode, sometimes converging towards the encounter, other times intersecting […]
An ancient tale of forefathers journeying to a secluded, sacred ground in the forest in order to perform a solemn ritual of prayer and meditation underscores the film’s sense of disconnection and longing, as each passing generation represents a spiritual, ancestral, and cultural dilution of the observance until the ritual is reduced to words without […]
A large blue, white, and red colored block lettered placard initially defines the referential elle of the film title as the Paris region as an off-screen narrator (Jean-Luc Godard) speaking in whispered, barely audible tone provides a contextual reference of the year 1966 through the annotation of Paul Delouvrier’s appointment as prefect of the newly […]
Jean-Luc Godard, the unabashed enfant terrible of French cinema, creates a lighthearted, bizarre and atmospheric utopia in Alphaville. Lemmy Caution (Eddie Constantine), an Outland agent, checks into an Alphaville hotel as Ivan Johnson, a reporter from Figaro-Pravda (the first of many unusual alliances). The hotel manager assigns him a room, a Seductress and a bottle […]
My Life to Live is a highly stylized and extraordinarily unformulaic adaptation of a simple premise: a young woman, seeking the freedom and excitement of, what Federico Fellini calls La Dolce Vita, leaves her family to pursue an acting career, only to turn to a life of prostitution. From the opening sequence showing a detached, […]