Kanikosen, 2009

In its incarnation as a 21st century, recession-era satire on worker exploitation and the intersection between globalism and geopolitics, Sabu’s Kanikosen is an atmospheric, if diluted adaptation of Takiji Kobayashi’s Shōwa-era leftist novel. Set aboard an Imperial Navy-escorted (and implicitly, sanctioned), crab canning ship operating near (and often, over) the Russian-controlled Sea of Okhotsk, the […]

Paprika, 2006

Based on the futuristic novel by seminal science fiction author Yasutaka Tsutsui, Paprika is a bold, provocative, mind-bending, and fiercely intelligent exposition into the nature of terrorism, the demystification of the subconscious, and the psychology of fetishism and objectification. A rash of thefts involving a developmental prototype dreamcatcher device, code named DC Mini, the brainchild […]

The Lights of Asakusa, 1937

A well-crafted riff on Yasujiro Shimazu’s familiar shomin-geki films, this time transplanted to a group of Western opera stage actors working in the bustling theater and entertainment district of Asakusa in old downtown Tokyo, The Lights of Asakusa is a charming and elegantly realized ensemble slice-of-life serio-comedy. Centering on the acting troupe’s attempts to harbor […]

Our Neighbor Miss Yae, 1934

From the seemingly effortless opening tracking shot through a middle-class neighborhood that terminates to a shot of two young men practicing baseball pitches in the backyard of their suburban home (and accidentally breaking the window of a neighbor’s home), Yasujiro Shimazu illustrates his remarkable agility with the medium in the sublime shomin-geki (home drama), Our […]

Children in the Wind, 1937

In a pivotal encounter during Children of the Wind, the Aoyamas’ rambunctious younger son, Sanpei (Jun Yokoyama, credited in the film as Bakudan kozo, or “explosive boy”), having been sent to live temporarily with his uncle (Takeshi Sakamoto) and aunt (Fumiko Okamura), befriends an orphaned circus performer played by frequent prewar Ozu child actor Aoki […]