Night and Day, 2008

In a way, Night and Day continues the narrative bifurcation of Hong San-soo’s earlier work while converging towards Luis Buñuel’s late period films in conflating reality with sublimated desire. A married, middle-aged painter, Sun-nam (Kim Youngho), having impulsively run off to Paris in order to avoid a confrontation with police following a pot smoking incident, […]

Woman on the Beach, 2006

After observing Hong Sang-soo’s previous three films bucolically retreating within a predictable safety zone of recurring preoccupations and reflexive encounters illustrated through linear narratives in somewhat uncharacteristic fashion following what had been his most structurally experimental film to date, Virgin Stripped Bare by Her Bachelors, it is refreshing to see Hong crystallize his now familiar […]

Virgin Stripped Bare by Her Bachelors, 2000

A dashing and affluent man named Jae-hoon (Jeong Bo-seok) arrives alone at a hotel resort and begins to occupy his time lazing about (and cursorily inspecting the ventilation system of) the empty, comfortable suite until the anxious distraction of a telephone call from his mobile phone – auspiciously ringing the tune of a tin-pot, synthesized […]

The Power of Kangwon Province, 1998

Aboard a crowded overnight passenger train bound for the seaside resort of Kangwon province, an exhausted, half-asleep, standing commuter momentarily drifts into annoyed consciousness after having been bumped into by an oblivious, bespectacled, casually dressed man named Jaewan (Chun Jaehyun) on his way back to an adjoining car after purchasing refreshments and snacks from a […]

The Day a Pig Fell Into the Well, 1996

A struggling, self-absorbed writer named Hyo-sub (Kim Yui-seong) visits the home of a former colleague, ostensibly to retrieve a submitted draft for further editing (although, more likely, to probe into the possibility of receiving a writing fee advance on the authored piece). Having arranged a meeting with his occasional lover, a young woman named Min-jae […]