Santa Clause Has Blue Eyes, 1966

Droll, charming, and picaresque, Jean Eustache’s Santa Claus Has Blue Eyes chronicles the empty hours, petty capers, and amorous misadventures of Daniel (Jean-Pierre Léaud), an unmotivated (and consequently fired) erstwhile bricklayer and modern day dandy who, rather than admit to his blue collar roots, has concocted an elaborate tale of paternal conspiracy and social consciousness […]

Le Cochon, 1970

Something of a germinal template for Raymond Depardon’s Profils Paysans films on a dying way of life in rural (and largely forgotten) France, Jean Eustache and Jean-Michel Barjol’s reverent, vital, and painstakingly observed ethnographic documentary Le Cochon chronicles a day in the life of peasant farmers in the mountainous region of the Massif Central. In […]

The Story of a Cheat, 1936

From the casual and personably familiar (and inferentially self-confident) running commentary of the film’s introductory behind-the-scenes footage of the cast and crew, Sacha Guitry sets the infectiously picaresque and disarming tone of The Story of a Cheat. An interstitial silhouette of Guitry’s profile provides the clever transition from real-life auteur to fictional character as the […]

The Last Mitterrand (Le Promeneur du champ de Mars), 2005

In an early episode in Robert Guédiguian’s The Last Mitterrand (Le Promeneur du champ de Mars), the ailing president (Michel Bouquet) visits the royal catacombs of Saint Denis Basilica with his personally selected ghostwriter for his memoirs, a young writer named Antoine Moreau (Jalil Lespert), and regards the extraordinary realism of a sculpture, glistening from […]