The Green Room is a thoughtful, reverent adaptation of Henry James’ The Altar of the Dead. Julien Davenne (François Truffaut) is a lonely, disillusioned widower who writes for The Globe, an obsolete, nearly defunct newspaper (with a target audience of elderly people, its subscription base is literally dying). From his methodical, dispassionate demeanor, it is […]
Tag: French Cinema
Jules and Jim, 1961
Jules and Jim is François Truffaut’s deceptively lyrical, yet understatedly complex nouvelle vague film on love and friendship. At the heart of the conflict is the enigmatic Catherine (exquisitely played by the incomparable Jeanne Moreau), whose chameleon personality adapts to suit the relationship she is in. (Note the effect of the equally inscrutable character, Anna, […]
The 400 Blows, 1959
Stories of childhood have often been tempered with the melancholic yearning of lost innocence (as in Louis Malle’s Au Revoir Les Enfants) or the profound weight of human misery (as in Robert Bresson’s Mouchette). In The 400 Blows, François Truffaut introduces his alterego, Antoine Doinel (Jean-Pierre Leaud), a young man attempting to break from the […]
The Beaches of Agnès, 2008
A clear highlight in an already strong French cinema program this year is Agnès Varda’s playful and understated, yet endlessly inventive The Beaches of Agnès. Part autobiographical survey from her childhood in wartime Europe to her lifelong activism (she self-effacingly admits that she missed the events of May 68 because she was living in California […]
Vagabond, 1985
Agnes Varda’s Vagabond is an excoriating, subtly disturbing portrait of alienation and lost direction. The discolored body of a drifter is found in a ditch, frozen to death. Her name is Mona Bergeron (Sandrine Bonnaire), an inscrutable young woman who comes from a good home and possesses employable skills, but has dropped out of society […]
Le Bonheur, 1965
Even with the landscape bathed in warm hues and verdant fields on a summer day, accompanied by the lushness of a textured Mozart adagio, clad with airy wispiness of draped muslin, and emphatically punctuated by a picture-perfect sunflower in full bloom that suggests an aesthetic symbiosis with the vibrant, saccharine images of husband and fellow […]