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Strictly Film School[Archives from 10/97-3/11]

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Tag: Chinese Cinema

Days of Being Wild, 1991

December 21, 2017 (December 30, 2017) acquarello

A handsome young man named Yuddy (Leslie Cheung) stops by a stadium concession stand to buy a soft drink. He approaches the shy, beautiful store attendant and catches her attention by correctly guessing her name as Su Lizhen (Maggie Cheung), and confidently predicts that she will see him in her dreams. One afternoon, he asks […]

DirectorsChinese Cinema, Hong Kong Cinema, Wong Kar Wai

As Tears Go By, 2003

December 21, 2017 (December 30, 2017) acquarello

The film opens to a symbolic shot of Wah lying obscured beneath a blanket that is half cast in shadow on a sunny late spring afternoon as he is rudely awakened by the repeated telephone calls of a persistent, overly familiar aunt. Explaining that a distant cousin named Ah-Ngor (Maggie Cheung) has gone to the […]

DirectorsChinese Cinema, Hong Kong Cinema, Wong Kar Wai

Kitchen, 2003

December 21, 2017 (December 30, 2017) acquarello

Kitchen opens to the wistful narration of an eccentric and irresponsible, but affable young Hong Kong hairdresser named Louie (Jordan Chan) who, as the film begins, has traveled to a quaint Chinese province in the rain to attend the funeral of a friend and former client. Concerned over the plight and well-being of the elderly […]

DirectorsChinese Cinema, Yim Ho

The Day the Sun Turned Cold, 1994

December 21, 2017 (December 30, 2017) acquarello

A somber and methodical young man named Guan Jian (Tuo Zhong Hua) enters a bustling metropolitan police station and, without a scheduled appointment, asks for a personal meeting with the chief inspector (Hu Li) in order to file a formal complaint against a “village housewife” named Pu Fengying (Siqin Gowa) who, he unsentimentally admits, is […]

DirectorsChinese Cinema, Yim Ho

Red Dust, 1990

December 21, 2017 (December 30, 2017) acquarello

In 1938, a beautiful and imaginative aspiring writer, Shen Shao-Hua (Brigitte Lin) leaves home following the death of her father to start a new life, as Japanese soldiers march into town to reinforce the occupation of China. Having spent her early years of adulthood imprisoned by her embittered father in the attic, Shao-Hua created a […]

DirectorsChinese Cinema, Yim Ho

Good Cats, 2008

December 21, 2017 (December 30, 2017) acquarello

Something like Jia Zhang-ke’s portraits of contemporary China by way of Hou Hsiao-hsien’s stationary long shots and sense of landscape, Good Cats returns to the hybrid fiction of Ying Liang’s previous film, The Other Half to capture the dislocation and moral vacuum left in the wake of China’s rapid economic development. Similar to The Other […]

Film Festivals and RetrospectivesChinese Cinema, Yin Liang Leave a comment

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Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShochikuShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu

Tags

Alain ResnaisAleksandr SokurovAustrian CinemaBelgian CinemaBritish CinemaCarlos SauraCarl Theodor DreyerChantal AkermanChinese CinemaChris MarkerDocumentaryEssay FilmExperimental CinemaFilm Comment SelectsFilm CriticismFilm TheoryFrench CinemaGerman CinemaHou Hsiao-hsienHuman Rights WatchIndian CinemaIngmar BergmanIranian CinemaItalian CinemaJapanese CinemaKenji MizoguchiKorean CinemaNagisa OshimaNew York African Film FestivalNew York Video Film FestivalNYFFPolish CinemaRendez-vous with French CinemaRomanian CinemaRussian CinemaSatyajit RayShochikuShohei ImamuraSpanish CinemaSpanish Cinema NowSwedish CinemaTaiwanese CinemaTurkish CinemaViews from the Avant-GardeYasujiro Ozu
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