Marking Jia’s first state-approved film, The World immediately bears the visual imprint of its “official”, non-underground status in its highly polished mise-en-scène: the elaborate pageantry of a flamboyant stage spectacle, ornate costuming, original electronica background compositions, and whimsical, interstitial animation sequences. Following the lives of a group of young adults working at an Epcot Center-like […]
Unknown Pleasures, 2002
An early scene in Unknown Pleasures shows a young man named Xiao Ji (Wu Qiong) riding his motorcycle on the way to town and, upon reaching the back room of a nondescript building, unexpectedly catches the curious sight of a man dressed in leisure clothes as he passionately sings an operatic melody – complete with […]
Platform, 2000
Platform opens to an appropriately temporally indeterminate sight of a bustling, crowded backstage of a provincial theater as a group of itinerant performers await the commencement of their traveling cultural education program that equally extols the country’s technological and social progress made possible by the Communist Revolution and celebrates its principal architect, Chairman Mao Zedong. […]
Hotel of Dreams, 2005
As a poor, underprivileged Catholic boy growing up in Senegal, Jeannot fondly recalls his family’s trips to the idyllic, coastal village of Popenguine where, on the day of the Pentecost, Senegalese Christians would descend en masse to the village on an annual pilgrimage to the site where the miracle of a Virgin Mary sighting had […]
The Forsaken Land, 2005
The opening sequence of Vimukthi Jayasundara’s The Forsaken Land suggests a metaphoric, alien landscape – a land transfigured by the buried scars of a decades-long civil war and the ominous disquiet of a fragile, uncertain peace. A lone militia guard, Anura (Mahendra Perera) patrolling the main road to a remote village, passes his idle hours […]
Let It Rain, 2008
The insidious nature of racism and marginalization that underpins the discourse in It’s Hard Being Loved by Jerks also surfaces in Let It Rain, Agnès Jaoui’s third (and lightest) ensemble collaboration with screenwriter and actor, Jean-Pierre Bacri. Having scheduled a visit to her childhood home in order to help her sister, Florence (Pascale Arbillot) sort […]





