The Man Who Had His Hair Cut Short, 1965

AndrĂ© Delvaux often spoken passionately and poignantly of the unique bicultural experience that had infused early Belgian cinema (an industry that also fostered other pioneering bicultural filmmakers such as social realist – and undoubted spiritual ancestor to the cinema of Jean-Pierre and Luc Dardenne – Paul Meyer) that had become increasingly regionalized towards the end […]

On the Passage of a Few Persons Through a Rather Brief Unity of Time, 1959

The panning shot of an anonymous city street establishes the tensile, yet integral relationship between citizen and environment in Guy Debord’s dense and minimalist essay On the Passage of a Few Persons Through a Rather Brief Unity of Time, describing the rows of generic apartment buildings as places of refuge from the constant social immersion […]

Uttara, 2000

Ostensibly an allegorical, cautionary tale on religious fundamentalism, Uttara is also a bracing and incisive examination of the provincialism, anachronism, moral and social quandary, and inherent contradictions that continue to shape contemporary Indian culture. Composed of seemingly unrelated narrative threads – a pair of bored, train crossing signal operators, Nemal (Tapas Pal) and Balaram (Shankar […]