A dashing, successful writer of lurid romance novels named Robert Harmon (John Cassavetes) arrives home in the middle of the day – still stylishly dressed in formal evening attire – to find an odd assortment of vivacious, attractive young women engaged in frivolous activities as they bide time awaiting his return. Attempting to engage one […]
A Woman Under the Influence, 1974
When does neurotic behavior lapse into madness? In A Woman Under the Influence, we are introduced to an inscrutable, emotionally vulnerable woman named Mabel (Gena Rowlands) as she goes through the rituals of everyday life: preparing for an evening alone with her husband Nick (Peter Falk), flirting with a receptive bar patron, meeting her children […]
Faces, 1968
Richard (John Marley) goes into the screening room of his office where female assistants attend to him – coffee, cigarettes, whatever he needs. He is the CEO of a powerful financial institution, and his latest investment is a movie. The film title momentarily flashes Faces, and that is all the introduction the venerable improvisational director, […]
La Moustache, 2005
Popular novelist and first-time filmmaker Emmanuel Carrère takes a decidedly more affirming and compassionate adaptation of his twenty-year old dark, psychological novel on obsession, identity, and alienation for his debut feature, La Moustache. While getting ready for a dinner party with mutual friends, a comfortably settled, middle-aged married man and successful architect named Marc (Vincent […]
The Wayward Girl, 1959
One of the clear highlights of the Norwegian cinema series for me was Liv Ullmann’s personal appearance for the introduction of her film debut as lead actress in what would prove to be the final film by Norway’s first female director, Edith Carlmar, The Wayward Girl. Admitting that she initially found it odd that program […]
The World’s Greatest Sinner, 1962
Iconic character actor and inimitable personality Timothy Carey’s eccentrically flawed, indescribably lowbrow, and madly egocentric, yet indelible satire, The World’s Greatest Sinner, is a commendable exposition on opportunism, moral bankruptcy, and idolatry as a bored insurance salesman, Clarence Hilliard, re-invents himself as a youth attuned, hip-gyrating pop star in order to gain public exposure and […]




